Raphael and the Fornarina

Por um escritor misterioso

Descrição

This composition, the first of six versions, articulates Ingres’s conception of the art of painting. For him, the oeuvre of the Renaissance artist Raphael was the pinnacle of artistic achievement. Here Ingres draws on Raphael’s relationship with the woman known as “La Fornarina” (the Little Baker), which, according to the biographer Giorgio Vasari, led to the young artist’s death from an excess of lovemaking. Raphael has just sketched the famous portrait of her, and his beloved subject sits on his knee. But Raphael has eyes only for his own creation, which, like Ingres’s representation of its model, meets the viewer’s gaze. This triangle of glances is complicated by the presence of the Virgin in Raphael’s Madonna of the Chair, seen against the back wall, where she resembles the artist’s lover.
Raphael and the Fornarina
Raphaël et la Fornarina XXII
Raphael and the Fornarina
A love that will last for eternity: Raphael and the Fornarina
Raphael and the Fornarina
Raphaël et la Fornarina XXIV from Séries 347 by Pablo Picasso on artnet
Raphael and the Fornarina
Raphael's La Fornarina & Audrey Hepburn Original Collage
Raphael and the Fornarina
LA FORNARINA BY RAPHAEL: who she was and where to admire her
Raphael and the Fornarina
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Raphael and the Fornarina
The Web's Largest Art Information Service.
Raphael and the Fornarina
La Fornarina: A Beautiful Woman, the Myth of the Artist and the Muse — Apollon Undergraduate Journal
Raphael and the Fornarina
Raphael's La Fornarina (1518-20), EPPH
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