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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.

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A lot of great art ends with suicide—Anna Karenina, Sgt. Pepper’s Lonely Hearts Club Band, Thelma & Louise—but it takes particular audacity to end with
Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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Ready to Die: Twenty years after the Notorious B.I.G.'s debut, we're still underestimating his seismic effect on pop music.
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