Arts, Free Full-Text
Por um escritor misterioso
Descrição
The cult of St George in the Eastern Mediterranean is one of the most extraordinary examples of cohabitation among different religious communities. For a long time, Greek Orthodox, Latins, and Muslims shared shrines dedicated to the Cappadocian warrior in very different places. This phenomenon touches on two aspects of the cult—the intercultural and the transcultural—that should be considered separately. My paper mainly focuses on the cross-cultural value of the cult and the iconography of St George in continental and insular Greece during the Latinokratia (13th–14th centuries). In this area, we face the same phenomenon with similar contradictions to those found in Turkey or Palestine, where George was shared by different communities, but could also serve to strengthen the identity of a particular ethnic group. Venetians, Franks, Genoese, Catalans, and Greeks (Ῥωμαῖοι) sought the protection of St George, and in this process, they tried to physically or figuratively appropriate his image. However, in order to gain a better understanding of the peculiar situation in Frankish-Palaiologian Greece, it is necessary first to analyze the use of images of St George by the Palaiologian dynasty (1261–1453). Later, we will consider this in relation to the cult and the depiction of the saint on a series of artworks and monuments in Frankish and Catalan Greece. The latter enables us to more precisely interrogate the significance of the former cult of St George in the Crown of Aragon and assess the consequences of the rulership of Greece for the flourishing of his iconography in Late Gothic art.
Rapunzel's Sunflower Soiree: Art Amongst the Trees
The Compassionate Classroom: Social Emotional Learning Via Arts Integration
Liberty Bell, Liberty Bell Gift
GMAEC's Summer Concert Series with Dean Bonzani - Delta County Tourism
FREE] [DOWNLOAD] Integrating the Arts Across the Content Areas (Strategies to Integrate the Arts Se by wellinghiwellinghi - Issuu
The item we are offering is a wonderful handmade, decorative sign. We are offering this sign in new sizes, so please review the pull-down menu of the
Framed Wild & Free Wood Sign Wreath Feathers Arrows Branches Rustic Text Decoration Print Wall Art Decor Farmhouse Primitive Wall Hanging
Landscape. Artist: Wang Tingru (Chinese, 1804-1852). Culture: China. Dimensions: 6 1/8 x 20 5/8 in. (15.6 x 52.4 cm). Date: 19th century. Wang was a full-fledged scholar in the Hanlin Academy in
Annual North Charleston Arts Fest Set for May 3-7 – City of North Charleston, SC
20-21-22 Juried Art Exhibition — The James Library & Center for the Arts
8 Best AI Painting Generators: Create AI Art & AI Drawing from Text
